主演：余逸蕾,王均浩,吉禹梦,佟小虎,董星岩,赵婉鹭山,潘元甲,丁洋
导演：未知
简介：都市艺术青年陆青青遭遇职场变故，进而辞职回到家乡的绿水青山里去追求梦想。在海竹村口，意外邂逅“外星来客”余西辰，他们从嬉笑打闹的误会开始，经历了能量失控、灵魂互换等荒诞又甜宠日常，并在余西辰的一次次的“超能力”守护中，产生了刻骨铭心的爱情。在此期间，陆青青也在村里遇见了形形色色追求梦想的人物，他们一起办画展、学非遗、开音乐会。两人也因此计划在村里打造一个所有青年人都向往的“乌托邦”——“将相似生活和工作模式的人聚集在一起，提供住宿和办公地点，大家可以一起工作和生活”，即游民公社。同时，他们的计划也遭到了反
主演：李光复,刘思辰,周玲,李海珊,胡会涓,武慧玲,苑湘瑾,徐炜欣,古力加那提,武宗平,崔英捷,张部先,郭铁,李丹,付曦,王世明,郭明杰,张艺鸿
导演：张俊杰
简介：《舟楫千里号歌来》由北京广播电视台、北京市通州区委宣传部、红果短剧、北京市通州区融媒体中心、北京紫禁城影业有限责任公司出品，北京紫禁城影业有限责任公司制作，共30集，每集5分钟。取景地为北京市通州区，张家湾通运桥遗址、三庙一塔、运河广场、通州图书馆等地。讲述了音乐学院学子白佳彤与非遗传承人于本水因“船工号子”结缘的青春励志故事，展现了两代人携手传承非遗的温情与坚守，传递出运河文化的千年历史和精神内核。
主演：湛佳明,周彧晟,菈芯·哈米提,阿布都瓦依提·艾比包,沙吾列·巴列里汉,许蓝翔,李一诺,比拉力丁·艾合买提,王婧靓,霍梓萱,高熙晨,张艺洋,艾珂丹·艾则孜,曼苏尔·木合台尔,拜尔娜·阿布都外力,娜依莎·艾再孜,伊穆然·依里牙尔,李程云歌,孟琪涵,罗珈琰旭,黄予森,伊吉岚,李帅熠,李广琪,古丽孜热·艾散江,伊合亚·艾散江,张雨菲菲,娜依拉·艾再孜,克南·艾力西江,克娜拉·艾力西江
导演：姬俞
简介：哈萨克族少年叶尔肯想要赢得赛马比赛的奖金，帮助姐姐完成去北京参加舞蹈比赛的“愿望”。然而在场地布置时，一场意外却导致新来的支教老师苏欣出了车祸。叶尔肯的父亲为帮苏欣修好车，卖掉了叶尔肯用来比赛的小马。这让叶尔肯对苏欣的到来产生了敌意。苏欣从萨娅口中得知了事情的真相，她让萨娅转告叶尔肯，只要在太阳升起时对着红旗许愿，心中的“愿望”就一定可以实现。叶尔肯将信将疑，看着飘扬的国旗，闭上了眼睛
主演：马栗,孙琰清,陈名豪,戎子承,王希,安娜,陆禹衡,周熙哲,潘玺冰,徐本一,沈丹萍,白红标
导演：李涛亮
简介：林婧，绿野集团继承人，性格刚毅，却在人生巅峰遭遇背叛。苏晓梦，民宿小职员，性格温婉，却深陷家庭泥潭。一次偶然，两人因定洞神针，交换人生。林婧“变身”普通服务员，却以敏锐眼光和果断决策，让民宿焕然一新。苏晓梦“跃升”商界精英，用真诚与关怀，让绿野集团焕发活力。期间，林婧邂逅了酿酒师陆逍，苏晓梦亦获得了下属韩子明的守护。历经重重风波后，两人彻底挣脱渣男与原生家庭的枷锁。再度相遇定洞神针，两人回归原位，却都因这段奇妙旅程而蜕变，各自寻获真爱，也在彼此的人生轨迹中找回了失落的成长与初心。
主演：黄婷,李昶,关礼杰,夏文汐,杨家成,张东尼,梁昊东,曹淑涵,谢元真,齐冀宁
导演：钟熙宇
简介：距今 30 年后，在东方小国——叁国，AI 技术已深度控制人类社会的各方面。一群有识青年组成随机联盟，利用易经文化研究出一套随机万能公式，向 AI Zero 发起实时挑战赛，以期让更多人重新发现到人类自身的力量和无限可能性。
主演：晏紫东,黄日莹
导演：陈匀佼,Jeremy
简介：代嫁新娘千云兮再回王府，被迫贴身服侍夜王。她起初心存戒备，没想到傲娇的夜幽冥居然对她花式宠溺，百般呵护，甚至暴露出绝世醋王的本性！ 两人情感直线升温，然而，一个神秘男子却在暗中窥探，妄图伺机而动……
主演：李洪涛,喻庆辉,涂凌,陈吉意,大锁,合文俊,易天雄,杨环宇,魏玉海,马珊娜,陈思雪,李丛喜,赵正达,莎娜·布亘拜,艾丽娜·阿力江,蒋中炜,班玛加,王家强,周崎,徐风,顾少旗,王竞屏,张芝华,宋晓亮,闫啸,李发光,郭子恒,陈孟奇
导演：徐凯伦,邱雨,闫豪杰,李嘉,戴正阳,刘岩,苏明晴,杨骥
简介：由正午阳光独家发起、腾讯视频独家呈现的第二届“光合”影视人才圆梦计划，历经一年零八个月的精心打磨，终于得以和观众见面。1658份创意的激烈角逐，12支团队的倾力创作，终于在春暖花开之际，为您带来8部风格鲜明的诚意之作。这些10-30分钟的短片，如同8只萤火，虽然不比星辰璀璨，难抵火焰炙热，却也努力地散发着自己的光，在亲情、犯罪、武侠、喜剧等类型中留下痕迹。 这一次，镜头在更粗粝的生活褶皱里对焦：不一定需要宏大的叙事，精简的故事里也能给人灵魂的震颤——一个眼神、一道伤痕、一个欲言又止的转身。这些光芒虽然微弱
主演：杨业明,汤加文,穆乐恩,俞逸夫,封蜜,张馨月,朱宏,范奕泽,王忠浩
导演：周九钦
简介：顶级特工南彩云下定决心脱离刀尖行走的特工生活，携六岁的女儿南小糖回归平静，女儿是生性冷酷的南彩云心中唯一的柔软与温暖。然而事与愿违，年幼的女儿竟被卷进了南彩云接下来的特工任务。为了完成任务，南彩云与极度自恋的特工颜英俊假扮夫妻，带着女儿伪装成幸福的“三口之家”，打入上流社会圈。夫妻俩在人前是高贵优雅恩爱的眷侣，私底下颜英俊随时随地孔雀开屏，南彩云随时随地无情拆台，女儿南小糖却喜欢上了这位温柔幽默的新爸爸。一家三口在等级森严、纸醉金迷、笑里藏刀、藏污纳垢的豪门圈子里一路摸爬，踏过沾满“人血”的人间炼狱，阅尽
主演：崔雨鑫,张楚寒,陈名豪,宋昭艺,陈腾跃,叶啸秋,史超,秦子墨,刘昊源,刘静怡
导演：秋刀鹿
简介：太子妃顾青瑶（张楚寒饰）新婚之夜，突遇冷血杀手十一（崔雨鑫饰）刺杀太子夫君，二人意外灵魂互换。为了保护太子夫君，顾青瑶与杀手十一斗智斗勇，一场刺杀游戏正式开启，背后更牵扯出一起惊心动魄的江湖与宫廷的权谋之争……
主演：安泽豪,赵安,陶德燕,陈曦然
导演：王若尘
简介：以百年老店“陈记姜母鸭”的沉浮为主线，借由二十年的时代浪潮，讲述陈氏一家两代人从误会隔阂走向理解和解，最终将姜母鸭技艺传承并发扬光大的温暖故事。
主演：马克桑斯·达奈-弗伟尔,鲁伯特·韦恩-詹姆斯,萨比恩·克洛森,Anaïs,D'Alyciade,Jean-Michel,Dubreuil,Agatha,Maksimova,Louise,Molinaro,Anaïs,Parello,Eléonore,Sarrazin,Axel,Baille
导演：乔里斯·福肯·格里莫德
简介：The House of Gaunt - Lord Voldemort Origins is a short film directed by Joris FAUCON GRIMAUD about Voldemort origins.The House of Gaunt is an unofficial short film who tells about the Voldemort origins, inspired by the Harry Potter universe from J.K. Rowling's book « Harry Potter and the Half-Blood Prince ». It is freely adapted for the screen and directed by Joris FAUCON GRIMAUD. This is a non-profit movie production that is unaffiliated andor controlled by Warner Bros.Made by fans for fans.
主演：梅丽尔·斯特里普,克里斯·奥多德,雅各布·特伦布莱,鲁丝·内伽
导演：菲利普·亨特,Douglas,Carrigan
简介：梅丽尔·斯特里普、克里斯·奥多德、雅各布·特伦布莱、鲁丝·内伽将为AppleTV+独家制作的地球日动画短片[我们在这里：生活在地球上的注意事项](Here We Are: Notes for Living on Planet Earth，暂译)献声。故事讲述一个早熟的7岁男孩在地球日当天，从他的父母和一个神秘的展览上学到了地球的奇迹。斯特里普担任旁白。这部36分钟的短片根据作家奥利弗·杰弗斯2017年的畅销书改编，由导演菲利普·亨特([阿普克])和Luke Mathen撰写剧本，将于4月17日首播。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：Danièle,Huillet,Jean-Marie,Straub
导演：Pedro,Costa,Thierry,Lounas
简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
主演：董又霖,林昕宜,徐棵二
导演：张璐
简介：同样自称千杯不醉的江路（董又霖 饰）让刘雅礼（林昕宜 饰）尝到了棋逢对手的滋味，更令她久违地当场“醉倒”，“宿醉”醒来，刘雅礼发誓要找到江路，却发现神秘男江路竟是刘雅礼素未谋面的新老板！“千杯不醉”的背后似乎也另有隐情……
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